By Drs. Hedy D’Ancona (auth.), Martine Briat, Judith A. Freedberg (eds.)
The Programme for the 3rd Symposium at the overseas paintings alternate and legislations was once constructed by means of the Institute for overseas company legislations and perform of the foreign Chamber of trade and its Chairman, Prof. Pierre Lalive who has additionally supplied the Preface to this quantity. below the auspices of the Institute, a Questionnaire was once formulated and circulated. The accrued fabrics have been reproduced and allotted on the Symposium via the Amsterdam Chamber of trade. journalists from 13 nations answered to the Questionnaire. at the foundation of those nationwide reviews, basic experiences have been ready and offered on the Symposium. half one in every of this quantity comprises: - Questionnaire overlaying issues 1-5 - normal details on a couple of nations taken from the nationwide reviews. half is split into 5 Sections, corresponding with the 5 themes addressed within the Questionnaire: subject 1. Freedom of museums to promote, exchange or another way put off gadgets of artwork of their assortment subject 2. Freedom of creditors to promote or supply away all or a part of their collections subject three. Rights of artists and their heirs subject four. public sale revenues and stipulations subject five. foreign transitority exhibitions and assurance via Concluding feedback through Prof. John H. Merryman.
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Extra resources for International Art Trade and Law / Le Commerce International de l’Art et le Droit
4. Please list the international treaties which govern international temporary exhibitions. 21 GENERAL INFORMATION BY COUNTRY (TAKEN FROM NATIONAL REPORTS) Austria: Introduction * Ignaz Seidl-Hohenveldern** I. PRELIMINARY REMARKS The notion of 'museum' is not defined by law. Art. 31 of the Federal Law of 1 July 1981 in the version of Bundesgesetzblatt (henceforth BGBl) 1989/663 on the Organization of Research describes the tasks of the Federal Museums to be collecting, safeguarding, presenting to the public and taking inventory of objects of art, undertaking research and advising other museums.
C. E. , 7 octobre 1987 et note d'obs. J. LA VEISSIERE, Rec. Dalloz Sirey (1988) pp. 269-272. 35. Cour de justice de la Communite europeenne 10 decembre 1968, Commission c. Repub/ique italienne, 7/68, Rec. CJCE, p. 617; v. ega!. P. PESCATORE, 'Le commerce d'art et Ie Marche commun', Rev. trim. dr. europ. (1986) pp. 451-462. 38 Grece: Introduction Antonias Dimolitsa * Le regime juridique grec concernant Ie commerce de I'art se verrait forme d'un melange de dispositions tirees du droit des antiquites, du droit de la propriete litteraire et artistique et du Code Civil et s'avererait necessairement incomplet dans la complexite et specificite des problemes surgissant dans ce domaine.
H. KONING, 'Wet tot Behoud van Cultuurbezit'. An Aequi (1985) p. 84. 47 THE NETHERLANDS: INTRODUcnON PART ONE: GENERAL The most effective measure to prevent overspending is that only a very limited provisional budget (approx. 250,000 guilders) is available each year to enable the government to fund purchases which it is in some (urgent) cases required to make under the Act. For example, there are only thirty to forty paintings on the List, including one Rembrandt and one Frans Hals. On the other hand, many historical objects and former church possessions do fall under the List.