« Il n’y some degree de pires sourds que ceux qui ne veulent aspect entendre ! » Sganarelle, dans L’Amour médecin, nie l’évidence : si sa fille Lucinde est malade, c’est parce qu’elle désire se marier et qu’il s’y oppose obstinément. Aucun médecin au monde ne pourrait guérir l. a. jeune femme. Sauf un… Heureusement que Lisette, l’habile servante, a plus d’un travel dans son sac pour aider sa maîtresse !
Dans Le Sicilien ou l’Amour peintre, Adraste peut lui aussi compter sur son valet. Il aime los angeles belle Isidore et doit redoubler d’efforts pour los angeles soustraire à celui qui veut l’épouser.
Jaloux trompé, valet fripon et médecin pédant : ces deux comédies-ballets mettent en scène les plus grands rôles du théâtre de Molière.
Read or Download L'Amour médecin – Le Sicilien ou l'Amour peintre PDF
Best theatre books
It’s not only a road anymore—it’s a style of its personal, and it’s celebrated in Tom Shea’s Broadway’s so much Wanted™: the pinnacle 10 e-book of Dynamic Divas, Surefire Showstoppers, and Box-Office Busts. a part of Potomac's renowned such a lot Wanted™ sequence, Broadway’s such a lot Wanted™ sings the praises of musical theater with a splash of caprice thrown in.
Within the caliber of Mercy, one of many world's such a lot respected theatre administrators displays on a desirable number of Shakespearean topics.
In this series of essays - all yet one released right here for the 1st time - Peter Brook debates such questions as who was once the guy who wrote Shakespeare's performs, why Shakespeare isn't old-fashioned, and the way actors should still method Shakespeare's verse. He additionally revisits the various performs which he has directed with striking brilliance, together with King Lear, Titus Andronicus and A Midsummer Night's Dream.
Taken as a complete, this brief yet immensely clever e-book bargains an illuminating and provocative perception right into a nice director's courting with our best playwright.
"An precious present from the best Shakespeare director of our time. .. Brook's genius, modesty, and brilliance shine via on each web page. " - James Shapiro, writer of 1599: A 12 months within the lifetime of William Shakespeare.
"Exquisite. .. mesmerizing. .. This brief, modest and significant e-book does greater than many extra grandiose tomes to resume the reader's fascination with the performs, and the theatre-goer's ask yourself on the awesome and various sensations locked up contained in the First Folio. it may be required analyzing in any respect universities and drama golf equipment. " - Guardian
"This quantity certainly seethes and flickers with principles. .. offers not just acute insights into the texts, yet fascinating information of functionality historical past, and some morsels of grand theatrical gossip. " - Scotsman
"Should be required examining for any aspiring younger administrators and actors but in addition all critical theatregoers. .. the writing is a version of readability, the guidelines difficult yet brilliant. .. it may be on each reader's bookshelf. " - British Theatre Guide
"If you will want a present for an actor, glance no additional than this educative, engrossing, exciting e-book. " - The Stage
"Each new web page you switch is a pride. And all written in such an unpretentious, mild, frequently a laugh variety. A pleasure. " - ReviewsGate. com
About the Author
Peter Brook is likely one of the world’s best-known theatre administrators. extraordinary in a profession choked with outstanding achievements are his productions of Titus Andronicus (1955) with Laurence Olivier, King Lear (1962) with Paul Scofield, and The Marat/Sade (1964) and A Midsummer Night’s Dream (1970), either for the Royal Shakespeare corporation. given that relocating to Paris and developing the Centre overseas de Créations Théâtrales on the Bouffes du Nord, he has produced a sequence of occasions which push on the obstacles of theatre, akin to The convention of Birds (1976), The Ik (1975), The Mahabharata (1985) and The Tragedy of Hamlet (2000). His motion pictures contain Lord of the Flies (1963), King Lear (1970) and The Mahabharata (1989). His books, specifically The Empty house (1968), were highly influential.
Theatre has consistently been a domain for promoting outrage and sensation, a spot the place public reputations are made and destroyed in remarkable methods. this can be the 1st booklet to enquire the development and creation of star within the British theatre. those interesting essays discover elements of reputation, notoriety and transgression in a variety of performers and playwrights together with David Garrick, Oscar Wilde, Ellen Terry, Laurence Olivier and Sarah Kane.
In Rome’s Christian Empress, Joyce E. Salisbury brings the desirable tale of Rome’s Christian empress to lifestyles. The daughter of Roman emperor Theodosius I, Galla Placidia lived on the middle of imperial Roman strength throughout the first half the 5th century. Taken hostage after the autumn of Rome to the Goths, she was once married to the king and, upon his dying, to a Roman normal.
- Transatlantic Stage Stars in Vaudeville and Variety: Celebrity Turns
- Representation and Identity from Versailles to the Present: The Performing Subject
- The Oldest Boy: A Play in Three Ceremonies
- Richard Barr: The Playwright's Producer
- Historical Dictionary of German Theater (Historical Dictionaries of Literature and the Arts)
Extra info for L'Amour médecin – Le Sicilien ou l'Amour peintre
Lout! Clodhopper! Get inside, you miserable cretin, and 1'11 ... 179. ZANI: No, boss! PIe ase don't, boss! Please, boss! Help ... Scrip ted Theatre and the Commedia DelI' Arte 45 APPENDIX B Bernardo Dovizi da BIBBIENA: Calandria First performance 1513; first printing (Michelangelo di Bartolo, Siena) 1521. ] (knacks at the door): Are you deaf in there? Hey! (knocks again) Open up! Hey! (knocks) Can' t you hear? SAMlA: Who's knocking? FESSENIO: It' s only Fessenio. Open up, Samia. SAMlA: Wait aminute.
7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. ZANI (appearing in doorway, or at upper window): Yes sir. MAGNIFICO: Come out a moment. ZANI: What can I do for you, boss? MAGNIFICO: Come out here amoment, my dear chap. ZANI: Me? MAGNIFICO: Thee. ZANI: You want me to come to thee? MAGNIFICO: Aye, thee, you donkey, get a move on. ZANI: At your service, as you see. Shall I wear my hat? MAGNIFICO: To hell with your hat, put your cap on. ZANI: Yes siree. Er ... pardon me. MAGNIFlCO: Now what? ZANI: You want me to come out?
It is not enough by itself to establish our argument. To pursue the thesis properly one needs to read extensively in Italian comedies after 1545, and see whether there is any correlation between the use of modular structures on the one hand, and some demonstrable link wi th the commedia delI' arte on the other. That is a task still to be completed; al ready it seems that the pattern is not going to be simple or predictable. One does not necessarily find modular structure in what by other criteria would seem to be the obvious places: not very often in the multi-dialect Venetian plays by Calmo, Dolce and Giancarli wh ich are so often cited as antecedents to the arte; not necessarily in aH the later plays which we know were composed by professional actors.