By Heinrich von Kleist
Désobéissant aux ordres de l'Electeur, chef de l'armée, le Prince de Hombourg lance intempestivement sa cavalerie et... gagne l. a. bataille. Passant en cour martiale, il est condamné à mort. Sa fiancée intercède pour le sauver auprès de l'Electeur, son oncle qui, ému par ses larmes, position Hombourg devant un dilemme difficile à trancher : s'il juge que sa condamnation est injuste, il sera acquitté... Kleist (1777-1811) a fait de sa pièce à los angeles fois une ouvre d'imagination, un épanchement masqué de ses angoisses personnelles et une évocation historique s'ouvrant sur une leçon politique. Jean Vilar, qui fut le ideal à mettre en scène, en France, cette ouvre mystérieuse, l'a élevée, par los angeles présence éblouissante de Gérard Philipe dans le rôle du Prince, à los angeles hauteur d'un mythe héroïque.
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Extra info for Le Prince de Hombourg
If no example of acting, directing, or design is better than any other, then the work of any amateur or dilettante would be as good as that of any experienced professional. It is hard to understand how this belief could be held without denying the excellence of Tom Stoppard, Meryl Streep, Peter Brook, Ming Cho Lee, and many others indeed. This misconception is called the relativist fallacy. It arose as a correct, though excessive, reaction against the Victorian notion that Western society was superior to any other.
Study the questions as a skeptical district attorney would do when cross-examining a deceitful offender, inquiring and probing and not taking anything for granted. SCRIPT ANALYSIS FOR ACTORS, DIRECTORS, AND DESIGNERS Seed Action analysis also looks for a special pattern that is latent but unidentiﬁed in the external events up to now. At ﬁrst, it may seem that literary scholars have already covered this ground. A search for Hamlet in the Modern Language Association database, for example, lists over three thousand articles on subjects (patterns) ranging from Afterlife and Allegory to Violence and Wordplay.
K. Wimsatt, this error results from confusion between the play and its results (what it is vs. what it does). It comes about when readers allow their favorite ideals or momentary enthusiasms or the momentary enthusiasms of the community INTRODUCTION to intrude on their judgment of the play. Maintaining enough emotional detachment is necessary to analyze a play correctly, but this is not always easy to do. After all, plays are meant to be emotional experiences, and many readers respond strongly to the emotional stimuli in them.