By R.J.G. Savage

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Where possible lightly mark out any demarca- tion lines with a soft pencil over the matt undercoat. , two tone camouflage or the horizontal divisions of a light civil aircraft's colours. Obviously the information for this sort of work is taken from your reference material. 2. Check that you have all the colours needed to hand, and that the paint is in good condition. Obvious as this may seem, it is easily overlooked. I have sat down to paint a model, reached the third colour and opened the tin only to find the paint dried up inside.

Reds, in particular, usually need a second coat really comes into its own, where an unusual shade is required. A flat ice lolly stick offers another way of getting a small measure of paint. Dip it into the paint tin and sufficient paint adheres to run a small quantity off on to your mixing tray. Kit instructions or a magazine as well. Just like water-colours in a paintbox, most model paints can be mixed together to give other shades. To be on the safe side I always restrict this mixing to paints of the same brand.

Lifting the brush and stabbing it back again can lead to noticeable the end. turns the colour to this looks more like black than true black itself. Obviously there are many occasions when paint can be applied after stirring directly from the tin with no prior need for decanting on to a palette. The actual technique of brush painting demands nothing more than intelligent use of the materials. The rules, in fact, are much the same as for domestic paint jobs like painting a door. For simplicity I have enumerated these in and order.

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