By David Mamet
Publish 12 months note: First released in 1993
In David Mamet's most up-to-date play, a male collage teacher and his girl pupil take a seat to debate her grades and in a terrifyingly few minutes turn into the individuals in a contemporary reprise of the Inquisition. harmless feedback abruptly flip damning. Socratic discussion offers approach to heated attack. And the connection among a a little fatuous instructor and his possible hapless student becomes a fiendishly exact X ray of the mechanisms of strength, censorship, and abuse.
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About the Author
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Additional info for Oleanna: A Play
When an audience first glimpses an aesthetic experience (rasa) through zone #1 of the upper left quadrant, they may not reflect upon it immediately afterwards through zone #2, but as each of the plays discussed here progresses by inducing a series of such glimpses, the audience then begins to a appreciate the innate bi-directional nature of higher states of awareness. The Fall of Private Man in Harold Pinter’s The Birthday Party The Two-Tiered Loss of the Public World Harold Pinter’s first three plays, The Room, The Birthday Party and The Dumb Waiter, are collectively known as “Comedies of Menace” because they dramatize the terrors that most individuals experience in confrontation with external forces.
Stanley, who won’t even go for a walk with Lulu, represents an individual who finds greater fulfillment in the absence of desire than in its gratification. Unlike Goldberg, Stanley senses that fulfilling a desire has nothing to do with acquiring a tangible object or sensation, but simply with the momentary suspension of desire itself. If that suspension can be prolonged, then fulfillment becomes an abiding state of mind. Members of a localized community such as that to which Goldberg and McCann belong fear such a suspension for it would undermine their very existence, which depends upon the need of individuals to find support and security in shared objects of desire.
McCann: That’s the Black and Tan fact. Goldberg: Who does he think he is? McCann: Who do you think you are? Stanley: You’re on the wrong horse. Goldberg: When did you come to this place? Stanley: Last year. Goldberg: Where did you come from? Stanley: Somewhere else. Goldberg: Why did you come here? Stanley: My feet hurt! Goldberg: Why did you stay? Stanley: I had a headache! . Goldberg: You don’t know. What’s happened to your memory, Webber? When did you last have a bath? Stanley: I have one every— Goldberg: Don’t lie.